Very nice idea, with lots of good dialogue, which, unfortunately, peters out. Joseph Cotten is terrific as the charming fraudster, trying to keep a lid on his secrets and prevent his true motives from being revealed.
The Freudian angle in Fritz Lang’s film, which at the time must have seemed novel and insightful, now appears utterly ridiculous. A disturbed man reconstructs rooms in which notorious murders have taken place. His latest creation is the bedroom of his new wife. Being understanding, she doesn’t run a mile but tries to help him by unlocking the secret childhood trauma that has turned him into such a grotesque weirdo.
Claude Chabrol irons out the weaknesses in Ruth Rendell’s A Judgement in Stone – such as Jean’s religious fanaticism and Giles’ precocious intellectualism – and makes one of his best films, a worthy addition to the sub-genre inspired by the case of the notorious Papin sisters.
Disappointingly conventional heist film from William Friedkin, not salvaged by its stellar cast – Peter Falk, Warren Oates, Peter Boyle, Gena Rowlands, Paul Sorvino. The events on which the film is based are a lot more interesting than Friedkin suggests.